di Fabio Scaletti – Martin Kemp
This volume represents an important tool for getting to know every aspect of Leonardo’s work; his pictorical tecnique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius.
All works and paintings are accompanied by descriptive and technical sheets. Besides, ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza).
The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations.
> Fabio Scaletti. A writer, a scholar of Renaissance art, and an expert on the attributional themes, he is the author of several publications in magazines and volumes. A Caravaggio specialist, he later extended his research to the great masters of the Italian Renaissance, with particular attention to the news of the debate among critics, experts and researchers on the most celebrated works of art history and on the new investigations and
discoveries.
> Martin Kemp (Contribution by). Emeritus Professor of History of Art at the Oxford University and Member of the British Academy. He has curated several exhibitions dedicated to the work of Leonardo of whom he is one of the greatest international scholar. He has published several books and essays translated all over the world, and he has carried out the most extensive research on the painting called by himself “La Bella Principessa” by Leonardo.
Veste editoriale: Cartonato con Sovraccoperta + Box
Formato: 30×40,2
Pagine: 304
Immagini a colori-b/n: 160
Lingua: GB-F
Anno: 2019
ISBN: 9788895847528
———————–
INDEX
Editor’s Note
Introduction
The Dreyfus Madonna (1469-72)
Profile of a Warrior in Helmet (ca. 1472)
Madonna of the Carnation or Madonna with Vase (1472-78)
The Arno Valley Landscape (1473)
Baptism of Christ (1473-78)
The Annunciation – Uffizi (1473-78)
Study of hands (ca. 1475)
Portrait of Ginevra de’ Benci (ca. 1475)
Study for the Head of Madonna (1475-80)
The Annunciation – Louvre (1478?)
Benois Madonna or Madonna and Child with Flowers (1478-80)
Study of the Madonna and Child with a Cat (1478-81)
Blown up winch, hydraulic and submarine ingenuities, Archimedes screw (1478-87)
St. Jerome in the Wilderness (1480-82)
Adoration of the Magi (1481-82)
Apocryphal letter of self-expression to Ludovico il Moro (1482)
Studies for defensive tools and firearms (ca. 1482)
The Virgin of the Rocks – Paris and London (1483-86; 1495-1508)
Portrait of a Musician (1485-90)
Repertory of Weaponry (ca. 1487)
Architectural and urban designs for the ideal city (ca. 1487)
Lady with an Ermine (or Portrait of Cecilia Gallerani) (1487-90)
La Belle Ferronnière (Lucrezia Crivelli?) (1490-95)
Madonna Litta (or Madonna nursing her Child) (ca. 1490)
Vitruvian Man (or Study of the proportions of the human figure) (ca. 1490)
Anatomical studies (ca.1490 -1510)
Studies for perpetual motion (ca.1493)
Study for the merger of the Sforza monument (ca. 1493)
The Christ Child (ca. 1495)
Circular winch (ca. 1495)
The Portrait of Bianca Sforza: The Beautiful Princess (1496)
The Last Supper (1495-98)
Sala delle Asse (ca. 1498)
Duodecedron abscisus elevatus solidus (ca. 1498)
Salvator Mundi (1498-1507)
Memorandum Ligny (ca. 1500)
Portrait of Isabella d’Este – Louvre (1499-1500)
Portrait of Isabella d’Este (1500?)
Madonna of the Yarnwinder (or Madonna of the Spindles) (ca. 1501)
Map of Tuscany (1502-03)
Study of Screaming Heads for The Battle of Anghiari (1503-05)
La Gioconda (or Portrait of Mona Lisa) (1503-1515)
Study for Leda and the Swan (ca. 1505)
Head of a Woman (1505-1508)
The Virgin and Child with St Anne and St John the Baptist (1505-1508?)
The Virgin and Child with Saint Anne (ca. 1510-13)
Saint John the Baptist (with apocryphal attributes of Bacchus) (1510-18)
Saint John the Baptist (1513-17)
Angel Incarnate (ca. 1514-16)
Lost works
The Codices: where they are
His life in brief
Bibliography
di Fabio Scaletti – Martin Kemp
This volume represents an important tool for getting to know every aspect of Leonardo’s work; his pictorical tecnique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius.
All works and paintings are accompanied by descriptive and technical sheets. Besides, ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza).
The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations.
> Fabio Scaletti. A writer, a scholar of Renaissance art, and an expert on the attributional themes, he is the author of several publications in magazines and volumes. A Caravaggio specialist, he later extended his research to the great masters of the Italian Renaissance, with particular attention to the news of the debate among critics, experts and researchers on the most celebrated works of art history and on the new investigations and
discoveries.
> Martin Kemp (Contribution by). Emeritus Professor of History of Art at the Oxford University and Member of the British Academy. He has curated several exhibitions dedicated to the work of Leonardo of whom he is one of the greatest international scholar. He has published several books and essays translated all over the world, and he has carried out the most extensive research on the painting called by himself “La Bella Principessa” by Leonardo.
Veste editoriale: Cartonato con Sovraccoperta + Box
Formato: 30×40,2
Pagine: 304
Immagini a colori-b/n: 160
Lingua: GB-F
Anno: 2019
ISBN: 9788895847528
———————–
INDEX
Editor’s Note
Introduction
The Dreyfus Madonna (1469-72)
Profile of a Warrior in Helmet (ca. 1472)
Madonna of the Carnation or Madonna with Vase (1472-78)
The Arno Valley Landscape (1473)
Baptism of Christ (1473-78)
The Annunciation – Uffizi (1473-78)
Study of hands (ca. 1475)
Portrait of Ginevra de’ Benci (ca. 1475)
Study for the Head of Madonna (1475-80)
The Annunciation – Louvre (1478?)
Benois Madonna or Madonna and Child with Flowers (1478-80)
Study of the Madonna and Child with a Cat (1478-81)
Blown up winch, hydraulic and submarine ingenuities, Archimedes screw (1478-87)
St. Jerome in the Wilderness (1480-82)
Adoration of the Magi (1481-82)
Apocryphal letter of self-expression to Ludovico il Moro (1482)
Studies for defensive tools and firearms (ca. 1482)
The Virgin of the Rocks – Paris and London (1483-86; 1495-1508)
Portrait of a Musician (1485-90)
Repertory of Weaponry (ca. 1487)
Architectural and urban designs for the ideal city (ca. 1487)
Lady with an Ermine (or Portrait of Cecilia Gallerani) (1487-90)
La Belle Ferronnière (Lucrezia Crivelli?) (1490-95)
Madonna Litta (or Madonna nursing her Child) (ca. 1490)
Vitruvian Man (or Study of the proportions of the human figure) (ca. 1490)
Anatomical studies (ca.1490 -1510)
Studies for perpetual motion (ca.1493)
Study for the merger of the Sforza monument (ca. 1493)
The Christ Child (ca. 1495)
Circular winch (ca. 1495)
The Portrait of Bianca Sforza: The Beautiful Princess (1496)
The Last Supper (1495-98)
Sala delle Asse (ca. 1498)
Duodecedron abscisus elevatus solidus (ca. 1498)
Salvator Mundi (1498-1507)
Memorandum Ligny (ca. 1500)
Portrait of Isabella d’Este – Louvre (1499-1500)
Portrait of Isabella d’Este (1500?)
Madonna of the Yarnwinder (or Madonna of the Spindles) (ca. 1501)
Map of Tuscany (1502-03)
Study of Screaming Heads for The Battle of Anghiari (1503-05)
La Gioconda (or Portrait of Mona Lisa) (1503-1515)
Study for Leda and the Swan (ca. 1505)
Head of a Woman (1505-1508)
The Virgin and Child with St Anne and St John the Baptist (1505-1508?)
The Virgin and Child with Saint Anne (ca. 1510-13)
Saint John the Baptist (with apocryphal attributes of Bacchus) (1510-18)
Saint John the Baptist (1513-17)
Angel Incarnate (ca. 1514-16)
Lost works
The Codices: where they are
His life in brief
Bibliography
Leggi le domande frequenti per avere maggiori informazioni sui metodi di pagamento, la spedizione e molto altro
Per acquistare uno o più libri è sufficiente compilare l’apposito modulo al quale si accede dalla scheda di ciascun libro.
Qualora i volumi ordinati non siano tutti immediatamente disponibili, il nostro staff si riserva di contattarti via mail per concordare le modalità di spedizione (A: invio immediato dei volumi presenti a magazzino e successivo invio di quelli mancanti – B. invio unico dopo il ricevimento da parte nostra dei volumi mancanti).
N.B. la fattura deve essere esplicitamente richiesta al momento dell’ordine, comunicando la ragione sociale completa di partita IVA e/o Codice Fiscale e Codice SDI.
Ai sensi dell’Art.5 del relativo Decreto, l’acquirente ha il diritto di recedere dal contratto e restituire i volumi ordinati entro 10 giorni lavorativi, purchè nel medesimo stato in cui li ha ricevuti. Il diritto di recesso dovrà essere esercitato mediante invio di lettera raccomandata A.R. a: LIMOND S.a.s. – via Arnolfo di Cambio 24/A – 37138 Verona (VR) – entro il termine di 10 (dieci) giorni lavorativi dal ricevimento dei volumi.
Tutti i resi dovranno essere autorizzati da Limond S.a.s (tel. +393472455641) con l’assegnazione di un numero di autorizzazione alla resa. Le spese di spedizione saranno interamente a carico del cliente e non si accetteranno pacchi in contrassegno.
Al ricevimento dei volumi, e verificata la loro integrità, Limond S.a.s. provvederà, entro 10 (dieci) giorni, ad accreditare il cliente del valore dei volumi restituiti.
La tempestività nell’evasione dell’ordine è determinata dalla disponibilità della merce ordinata. In caso di immediata disponibilità l’ordine verrà evaso entro 2 giorni lavorativi. Qualora uno o più libri non dovessero essere presenti a magazzino possono essere ordinati su richiesta; il nostro staff informerà il cliente, via mail, circa i tempi necessari per l’evasione dell’ordine.
Pagamento tramite bonifico bancario anticipato alle coordinate comunicate in fase di check-out
I costi di invio (che comprendono imballo e spedizione) per libri e riviste in ITALIA sono i seguenti:
Servizio postale: 3-5 gg (per merce immediatamente disponibile presso il nostro magazzino)
Per una quotazione dei costi di invio in EUROPA o per spedizioni internazionali vengono richiesti i seguenti dati:
Alla conferma di accettazione, verranno comunicate coordinate bancarie/account PayPal da utilizzare per il pagamento. Un Una volta ricevuto, verrà evasa la spedizione inoltrando notifica e tracciabiltà.
Limond s.a.s. di Cardinali Paolo & C.
Via Arnolfo di Cambio 24/A
37138 Verona – Italy
P.IVA: 03119440232
Copyright © 2024 Limond
Contattaci